Aeon | ‘Path Of Fire’
It’s incredible what even vaguely proficient DM bands can do these days. With young drummers schooled on the likes of Kolias and Roddy, they’re so pummelling that it’s hard to assess what actually makes real heaviness anymore.
Aeon have all the proficiencies expected of a hot, up to the minute DM act, but then again, they always did. And they are certainly heavy.
Like their previous efforts, this one’s filled with impossibly fast double bass rumbles and peppered like crazy with pinch harmonics. It’s not for the weak.
You can hear that they’ve upped their game, audibly grasping for the same calibre of tone and attack as big hitters Nile and Behemoth – both of whom they’ve drawn liberally from on this. Small wonder they’ve ended up on Metal Blade.
Though there’s much in here that leans toward the more uncompromising and inaccessible style of Exmortem, overall they’ve been astute in matching their technical prowess to some catchy riffs. In that regard, fans of the modern Deicide records may also find interest in this.
The trouble, as usual, is a lack of variety. Once the wow factor has evaporated from their shit-hot gear workout, it becomes apparent that nice spanish instrumental notwithstanding, there’s a maximum of one guitar tone across the whole thing.
There should have been more of the evocative Hoffman style solos – as it stands, there’s one or two.
It’s also especially poor in the lyrical department. On your knees, I am king, the usual balls. It’s really cringe inducing, rendering what could have been a great platform for serious diatribe into a sort of sub Hate Eternal sweat fest.
So that’s a bit of a bummer, and something that long term just takes away from the album. These guys are great players, and obviously high attainers within their field. Frankly though I’d rather hear a slightly less able band play more interesting and relevant songs – as cool as some of this most definitely is.
There’s a reason Immolation are so cool. Ponder it.
3.2/5 – Earl Grey ::: 28/07/10



2 Comments


July 29th, 2010 at 9:50 am
Bang on review, my thoughts exactly. There is really nothing memorable on this album. Bleeding the False and Rise To Dominate were catchier and better albums. I don’t like Rutan’s production on this either. Shame ’cause I was looking forward to this one.
July 29th, 2010 at 12:29 pm
I love it personally, although it’s not quite as good as the last one. Their lyrics are stupid on all the albums.
It’s braindead but it’s killer DM in the vein of Deicide/Cannibal and that does me when I’m in the mood of something like this.
Rutan only mixed it I think (without checking).
July 30th, 2010 at 11:58 am
“With young drummers schooled on the likes of Kolias and Roddy, they’re so pummelling that it’s hard to assess what actually makes real heaviness anymore”
I totally agree with this. Technology has facilitated the rise of some metal sub-genres but it’s misuse can make what could have been an exciting album sound awfully forgettable. The heaviness comes from the players’ energy, and often the release of a stonking half-time riff after a blast beat building up the tension.
drum machines for example don’t sound heavy.
I hope I’m never accused of ruining what would have been a great album by making things too mechanical.
Alwyn