Christian Mistress | ‘Possession’

It’s an insidious little fucker, this new Christian Mistress album.

Expecting to be grabbed by the throat in the way their early 7″  and ‘Agony & Opium’ had done, I was eager to get stuck into “Possession” as soon as it showed up in the review box.

I was very keen to see if their move to Relapse would result in their rough edges being scrubbed away or if they could make the leap to a bigger label unscathed.

So when the first listen was finished, I was relieved they’d maintained their identity without any unnecessary polish being added. But I was also distinctly underwhelmed with the end result.

In fact looking at my notes again from that first listen a few weeks back, I notice for four of the songs, I have “meh” scrawled next to them. And after a couple more listens, one of those “Haunted Hunted” is still the track I find myself skipping. But multiple listens down the line, “Possession” reveals itself to be a fine record, if a little pedestrian in places.

“There is Nowhere”, the seventh track on here (and my current favourite), pretty much sums up what Christian Mistress do best on this album – they produce well written, and most importantly well balanced heavy metal.

In this track they move from a quiet, brooding opening, gradually introducing those heavier dual guitars and building up a full head of steam for the latter half. It’s easier to be subtle on a semi-ballad like this for sure, and I’m using it as the most obvious example, but overall, this band know how to structure a song for maximum impact.

And they’re as adept in their more considered moments like this as they are producing full speed ahead rockers like the almost-thrash “All Abandon” or the all guns blazing opener “Over and Over”. These two songs are again among the best here, and highlight another of this band’s strongest characteristics – their ability to write traditional heavy metal that wears its’ influences proudly, but doesn’t sound dated or backward looking in any way.

Speaking of influences, the title track is actually a cover of Swedish band Faith’s “Possession”. It’s a pretty faithful (no pun intended) run through, but it’s interesting how well it fits in with the rest of the album – had you not told me it was a cover, I’d have never suspected otherwise.

There’s a couple of things that hold them back though, and which put a dampener on the album as a whole. For one, while I appreciate and respect their commitment to analogue recording, the production while clear and nicely “live” sounding, is also weirdly flat – the guitars don’t feel like they have the roar they should have and in general it’s a little too polite.

The other thing that becomes noticeable, and an issue which in fairness has always been there, is that while the band’s front line is strong with Christine Davis’ vocals working their husky magic and the twin guitars playing off each other nicely, the rhythm section is a let down: a band like this need a livelier and more importantly heavier attack in the bass and drum department rather than the adequate but uninspired efforts.

Going back to my initial comment, it’s clear that “Possession” overall is a grower – for ever out and out banger like “Pentagram and Crucifix” there’s a less instant moment that at first seems like it’s just plodding along – “Black to Gold” for example – but these are the songs I find myself coming back to a couple of listens down the line. That, my friends, is a good omen for a record that you will still be listening to a year from now.

Similar to the likes of In Solitude, Portrait or even Trial, Christian Mistress appeal to people like me, who maybe don’t normally lean towards the more trad forms of metal all that much, because they sound fresh and passionate in their organic take on an old sound.

Heavy Metal is in its’ fourth decade, and here we are with all these multiple sub genres, the number of which just seems to increase by the day – Christian Mistress are proudly just a Heavy Metal band, nothing more and nothing less.

A bit more kick and bite on the next record wouldn’t go amiss, but otherwise fans of the last record will find plenty to enjoy here.

3 / 5 – Jamie Grimes ::: 18/02/2012

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