The Podcast


Latest Episode #47

Ester Segarra

● Are live photos 'fake' now?
● How to get the perfect band pic
● Snapping Burzum, Mesuggah, Watain

More Episodes

#46 - Ron 'Bumblefoot' Thal

#45 - Primordial's Alan Averill

#44 - Sigurd Wongraven - Satyricon

Must reads:    All Albums Of The Month   ●   From The Vaults!   ●  The Forums Hall Of Fame   ●   Irish Metal - Reviews Archive


Limelight Oct 3rd

Get More From Metalireland

To win albums, gig tickets and access to exclusive stuff that's NOT on the site - join our fortnightly email.

Cannibal Corpse | ‘Red Before Black’

Let’s cut to the chase.

‘Red Before Black’ is album number 14 for the Floridian death metal veterans and doesn’t exhibit anything resembling a deviation from their established formula.

It’s a telling thing that many listeners will stick on the new Cannibal Corpse record solely to see if they’re in any way changing things up.

It’s practically the main motivator for the curious listener, with the band’s established reputation for dishing out a couple of good tracks to kick off an album and then auto piloting the rest of it.

That’s very much the case with this latest effort. The problem is that even the first couple of songs, decent as they are, are low-scoring on the Corpse satisfaction scale.


‘Only One Will Die’ is a decent opener, delivering a high-pitched tremolo work-out and buckets of Corpsegrinder roars and double kick. This is rapidly followed by fairly distinctive title track, which offers up a nicely crafted chorus.

From this point onwards, you could practically guess how the rest of the album goes, with only ‘Shedding My Human Skin’ offering up anything resembling distinctiveness.

Even the relative breathing space in the mix that 2014’s ‘A Skeletal Domain’ possessed is gone here, with the band has reuniting with Erik Rutan and opting for a thick, loud guitar tone that bulldozes any subtly out of proceedings.

Presumably, they were going for the same straight-forward impact that ‘Kill’ offered up. That record was probably the band’s latter day career highlight, offering short, catchy songs with an emphasis on quality. There’s little here that reflects that.

Even more depressingly, there seems to be an abundance of fast palm-muted chugging across the record. At times, like on the desperately uninspired ‘Firestorm Vengeance’, it sounds like there’s not even a willingness there to provide much in the way of riffs, but just to keep the tempo going.

It’s an odd moment too on ‘Skeleton Consuming Death’ (gonna consume something) when Alex Webster’s bass warbles out an indistinct solo section. When the other guitars chime in it just seems to underline the insipidness of it all.

Phoning It In

Cannibal Corpse still get attention because they’re a big name. Frustratingly, we know they can still write good songs – thanks to the scattered solid numbers across recent albums.

They are 100% phoning it in on this one though.

The performances are as proficient as ever, but if you’re hoping some a formula shake up, look elsewhere, because some actual creativity (like on the oft-cited and 19 years old ‘From Skin to Liquid’) just isn’t in the offing here.

This site recently gave the latest Cannabis Corpse a pretty good review. That record showed how hunger and a willingness to mix it up can result in some really enjoyable metal. It’s sad that the parody act is now producing better material than the original.

On the strength of this, even the couple of good songs you can usually count on from Cannibal are dipping in quality. Really, there’s a lot out there that should be put before ‘Red Before Black’.

2.3 / 5 – Lorcan Archer ::: 01/11/17

  1. Bloodthirst was the last genuinely entertaining start to finish corpse record. Biggest negative is George Fisher, monotonous cunt!

  2. Baxedale Thomas Says:

    Agreed, Bloodthirst was the last great album they made. No surprise to hear the new album is muck, hopefully we get a decent old school setlist for the gig next year but i doubt it

  3. The wretched spawn and kill are better than bloodthirst

  4. Martin Wyer Says:

    Lol, those two records are crap. Atypical latterday Cannibal Corpse.

  5. reviewer insinuating they haven’t shown creativity since gallery!off the back of that I have regarded this review as garbage,and btw the wretched spawn is better than bloodthirst!!!

  6. General Lee Says:

    Had a listen there and made it as far as track 4. Corpsegrinder has to be the most monotonous, uninspired vocalist ever. Sounds the same as everything since bloodthirst. Vile is their last good album.

  7. Black Shepherd Says:

    I’ll just add that all declinations of the expression “phone-in an X” have long become necessarily self-referential.

  8. Franksidebottom Says:

    Like the order of the stripes on Freddy’s shirt.

    Yes I listened to this album and found it pretty dull. Barely an e.p. worth of enjoyable songs long it.

    The corpse has well and truly rotted I think.

  9. It’s not that I disagree with the review, I just see the band differently. I remember reading an interview in Terrorizer years ago where they said that death metal was a corner they are happy to be painted into. I like that they don’t change. While their peers have churned out moments of greatness followed by unlistenable trash CC have consistently churned out a steady stream of solid albums. I for one don’t want a formula change or a massive shake up.

  10. El Rostro De La Muerte Says:

    There’s the phrase again, phoning it in, what a load of shit! If the review wasn’t so pathetic I’d laugh, I mean they’re a Death Metal band for fuck sake.

    What type of album where you hoping for? Some low fi Black Metal pish that sounds like it was recorded in a Quality Street tin?

    For the record I quite like the album.

  11. Sluggin For Jesus Says:

    “What type of album where you hoping for?”

    A good one.

Post your comment

Mail (will not be published - required)

We use cookies to ensure that we give you the best experience on our website. This includes cookies from the content management and forum systems, Google Analytics for site statistical purposes, Google, Amazon and Ticketmaster for advertising banners and links, our upload widget and Facebook.