The Podcast


Latest Episode #47

Ester Segarra

● Are live photos 'fake' now?
● How to get the perfect band pic
● Snapping Burzum, Mesuggah, Watain

More Episodes

#46 - Ron 'Bumblefoot' Thal

#45 - Primordial's Alan Averill

#44 - Sigurd Wongraven - Satyricon

Must reads:    All Albums Of The Month   ●   From The Vaults!   ●  The Forums Hall Of Fame   ●   Irish Metal - Reviews Archive


Limelight Oct 3rd

Get More From Metalireland

To win albums, gig tickets and access to exclusive stuff that's NOT on the site - join our fortnightly email.

Cannibal Corpse + Man Must Die | Live Review, Tivoli, Dublin

The latest big metal show to reach Ireland is one of the most legendary death metal bands of all time. Who else but Cannibal Corpse?

It’s been nearly 8 years since they’ve played Ireland, though they’re a regular on the touring and festival circuit.

Tonight’s Dublin show is the 3rd last show of their massive tour of Europe and the U.K., so hopefully there is no sign of boredom or fatigue from the Floridians tonight.

Man Must Die

Scotland’s Man Must Die are the support band for Cannibal’s Irish tour and I was interested to see how they have developed since I last saw them in 2010.

Their set started with a damn heavy modern death metal sound, guitarists playing well off each other, a monster drummer, and a front man with a very intimidating presence that had the audience in his control.

However the band was also able to throw in enough melodic hooks and disgustingly heavy breakdowns to make songs stick out and keep their set feeling fresh.

Support acts can sometime suffer from static audiences, particularly when they playing below a band the calibre of Cannibal Corpse. Man Must Die did not have such problems with mosh pits breaking out during a good part of their set, and their songs leading to some respectable circle pits.

Even those on the sidelines were still showing their appreciation, raising their horns or fists whenever front man Joe McGlynn demanded it. In my opinion, when you hear a Glaswegian accent screaming at you to do something, it’s probably wise to do as they say.

My only critical points about the show were their guitarists and bassist seemed a bit static on stage and let all the attention to go to their front man.

Another minor distraction was for the start of their set, their drummer’s double kick work wasn’t quite as fluid as it could be (after the first few songs, he was full in the groove and tight!), and the use of very clicky kick drum triggers meant there was no hiding.

I won’t argue for or against the use of kick drum triggers, but rather point out for any drummers reading, that if you are using a triggered kick, every hit needs to count.

But overall, Man Must Die were a damn good support act who I hope will be back to Irish shores sometime soon, maybe even for a full headline set of their own.

Cannibal Corpse

But as good as Man Must Die were, there was no mistaking who the audience were dying to see.

After the break to set up Cannibal’s stage, the lights went off; the band walked onstage, and started their set. There’s no intro track, no special announcement or gimmick. Very simply, this is Cannibal fucking Corpse, and they are about to tear the Tivoli a new one.

The set started with plenty of tracks from their latest albums, and while there is certainly a market for older bands to go on tour playing only classic material, Cannibal Corpse don’t yet need to follow that path. Basically Cannibal fans are going to go insane no matter what song they play.

What strikes me about Cannibal Corpse is the difference between how they and death metal bands in the modern age write songs.

While many death metal bands now focus on writing super technical riffs, and recruiting a frantic, blast beating drummer. Cannibal Corpse only needs to write a few heavy riffs, let drummer Paul Mazurkiewicz lay down a surprisingly simple beat, and give space for Corpsegrinder to go for it.

Best example I can give is ‘Scourge of Iron’, where the 2nd riff is incredibly simple but still had the crowd levelling into each other.

It would however be blasphemy to accuse Cannibal Corpse of not still being a technical band.

With players in the ranks such as Pat O’Brien and Alex Webster (Who is as well regarded in the metal bass playing world as Cliff Burton or Steve DiGiorgio), tonight’s show was almost like a master class in death metal musicianship with ‘Evisceration Plague’, ‘Devoured by Vermin’ and ‘Hammer Smashed Face’ featuring that timeless riffing, frantic time signature changes, and pure speed.

If the crowd were already warmed up by the end of Man Must Die’s set, they were burning hot by the end of Cannibal’s opening song.

They ate up every song Cannibal Corpse played, and the pits looked packed and punishing from above the main floor. The crowd was loud when showing their appreciation for the band and Corpsegrinder looked a little bit impressed by the reception the band were getting.

While Corpsegrinder’s stage banter can sometimes feel like a strange death metal panto (Usual stick of telling the audience to scream louder, teasing “This is our last song” when everyone in the venue knows they aren’t done yet) one can’t help but feel the excitement in the air when he delivers his most well known song intro – “This song, is about shooting blood out of your cock” before ‘I Cum Blood’ starts up and send the crowd into a frenzy.

Anyone who has seen one of the documentaries made about Cannibal Corpse’s history, or following their Global Evisceration tour will know that Cannibal Corpse is a working-class band, that aren’t trying to present a role or character onstage, or follow some grand artistic vision.

Cannibal Corpse are making a living by writing heavy as fuck death metal records, and touring the world playing the music they love to their fans, and don’t seem keen to stop or even take a break lasting longer than a few weeks.

I remember talking to a friend before the show about Slayer retiring, and how it was a long time coming given their age, the death of Jeff and the lack of enthusiasm by the band at times.

Cannibal Corpse aren’t that much younger than Slayer, with most of their members less than 10 years younger than Tom Araya, and not to mention their peer Frank Mullen of Suffocation recently announcing he was officially leaving after one last tour. But is there talk of Cannibal Corpse retiring or losing their interest in the band?

Fuck no. Cannibal Corpse are showing no signs of slowing down or losing their edge. Alex Webster’s fingers seem as fast and strong as ever, Pat and Rob are still punishing their guitars, and Corpsegrinder could still probably out headbang and out scream any challenger in the audience tonight.

Cormac Jordan ::: 22/03/18
photos thanks to Liam Quigley and Norrie/Mad Moth

  1. Shocking review.

  2. massiveTractor Says:

    Shocking review how? Reads fairly accurately to me.

  3. Chip Douglas Says:

    Quality not content.

  4. cheers for that, didn’t get to them this time round but sounds like a good gig.

  5. The review stacks up and is indicative of the atmosphere and gives a bit of background. I would much rather have the enthusiasm in a review as opposed to a load of sentences strung together using a thesaurus.

  6. Great read, got excited reading that. Wish I went to that gig.

  7. Not quite sure what Chip’s “shocking review” is all about. What’s wrong with the quality?

  8. Nothing wrong with the review. Far too many armchair critics waiting to hop on anything deemed ‘sub standard’ or not to their particular taste.Which for a lot of them seems to be just about everything.

  9. Chip Douglas Says:

    Oh I forgot, we’re into the millennium of the snowflake. Can’t have a negative opinion of something.

  10. haha, wheel out the classic ‘snowflake’ line, the new answer to everything. I’m all for a negative review if that’s how you genuinely feel but writing ‘shocking review’ and leaving it at that just read like you were pissing on the lads chips for the sake of it.

  11. mongreled Says:

    the review is bubbling with enthusiasm for CC, which may account for a lack of objectivity. For example CC have been derided as the “ac/dc” of DM for years, with many seeing them as workmanlike in their efforts to complete an album then tour then off to the next album. This is addressed by the author, but not in a way that addresses the mostly negative context it is viewed as by others. Recent albums have been view mostly favourable here, but mostly fall into the pitfall of too many filler to killer tracks ratio. Also the sentiment that CC fans will go mental no matter what is served up could be viewed as insulting. Is there room for a discerning CC fan? great enthusiasm from the author, but not so much a review as a solidification of the author’s personal stance on the band. I would have liked the author to challenge the perceptions that abound regards modern CC, and subsequently lay waste to them.

  12. AntonArcane Says:

    Lads it’s a review, will ye get a grip for fuck’s sake.

  13. greaterfool Says:

    Chip you are a cunt

  14. Chip Douglas Says:

    Greaterfool did I upset you love?

  15. Black Shepherd Says:

    I think we all have our respective opinions on Cannibal Corpse fairly fixed by this stage, so don’t need every angle to be explored with a sharp critical approach at every occasion.

    I enjoyed reading the review, generally enjoy genuine enthusiasm for what it is. Thanks to the author for contributing positively to the site, something some are apparently incapable of.

  16. HeavyLeprechaun Says:

    Lol!!! Ye gimp, you are one of the most negative bastards on the forum. That’s probably one of the very few positive posts I’ve seen you make.

  17. Black Shepherd Says:

    Contributing positively = contributing actual content, such as this review, to the site.

  18. HeavyLeprechaun Says:


Post your comment

Mail (will not be published - required)

We use cookies to ensure that we give you the best experience on our website. This includes cookies from the content management and forum systems, Google Analytics for site statistical purposes, Google, Amazon and Ticketmaster for advertising banners and links, our upload widget and Facebook.